This was in October, in Paris, before I left for Thailand – with Noctvrna, we couldn’ see each other as often as we would have liked since I had moved to another city, and we had settled to meet for a photo shoot before I took the plane for vacations. Since winter sewing is not really my thing, all I had for her was this shirtdress, reminiscent of fallen leaves and pumpkin spice lattes. Continue reading “A shirtdress amongst the rusty leaves”
I watch way too many series for my own good. I usually watch series while sewing, since they keep me company without being too much of a distraction from my handiwork. Since you can multitask watching series much more easily than by reading, I’ve noticed my time watching series now exceeds my time reading, which is quite a big shift for me!
I confess I sometimes watch stupid things, but my new addiction also made me discover great things. Since fall is back, and always makes me want to curl under a plaid with a cup of tea, I figured I could share some of them here… Continue reading “Selected cuts – 3”
I have a confession to make : I’m fascinated by a certain archetypal character : the French Bourgeoise, the very type played by Catherine Deneuve, portrayed by Helmut Newton, and, of course, dressed by Yves Saint-Laurent. Last year’s restrospective of the couturier’s work was very influential on this season’s collections, and to my great pleasure, seventies are on trend again. But after going to the YSL Rive Gauche (Saint-Laurent’s ready-to-wear line) exhibition, and reading his biography by Laurence Benaïm, I must say I would be under Saint-Laurent’s influence anyway. Since I have plenty new year resolutions to achieve (and that I need to wear something on my back), I figured I could use some of his vibrant colors for this fall sewing.
What’s unusual though, is that I’m going against my penchant for the seventies regarding figures. It must be because I’m so glad I discovered high waists and can’t get enough of them (yet), so I’ll mix these acid colors with the soft spot I have for the late fifties/early sixties fashion. This fall’s fashion icon is Catherine Deneuve in The Umbrellas of Cherbourg, rather than Faye Dunawaye in Eyes of Laura Mars. But is it very sensible to pick the provincial pregnant teenager over the sexy photographer?